【目錄】
譯者前言··············································································································· 001
桑德羅·波提切利的《維納斯誕生》和《春》:意大利文藝復興早期古風觀念考(1893)························································································································027
桑德羅·波提切利(1898)·················································································097
1589年幕間劇的舞臺服裝:貝爾納多·波塔倫蒂的設計和艾米里奧·德·卡瓦利埃里的賬本(1895)·············································································································103
佛羅倫薩早期版畫中“愛的紋章”(1905)······················································160
肖像藝術與佛羅倫薩中產階級——多米尼科·基朗達約在圣三一教堂:洛倫佐·德·美第奇及其家人的肖像(1902)·······················································································172
弗朗切斯科·薩塞蒂給兒子們的遺言(1907)···················································210
弗萊芒藝術與佛羅倫薩早期文藝復興(1902)···················································252
15世紀南北方的藝術交流(1905)······································································271
丟勒與意大利古風(1905)···················································································276
費拉拉無憂宮的意大利藝術與國際占星學(1912)············································281
路德時代詞與像中的異教—古代預言(1920)····················································303